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藝術總論/收藏鑑賞/繪畫/書法/雕塑/設計/室內/建築/攝影/電影/音樂/舞蹈/戲劇
我不是很懂藝術，但我喜歡美的事物，還有背後的故事。我喜歡閱讀，各類的與藝術相關的題目，都另人感到興趣。當然我沒有那麼多的時間，可以去實際參訪，但我可以從相關的書籍來做了解與欣賞，所以我常常在網路上購買書籍來看，快速又方便，最近我在找一本 Melancholy Drift：Marking Time in Chinese Cinema ，我滿有興趣的，剛好博客來有賣，所以我就直接將 Melancholy Drift：Marking Time in Chinese Cinema 買回來，希望快點拿到。如果對 Melancholy Drift：Marking Time in Chinese Cinema 也有興趣的朋友，歡迎到下面 Melancholy Drift：Marking Time in Chinese Cinema
的網頁連結參考看看喔。
Melancholy Drift：Marking Time in Chinese Cinema
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Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien, and Tsai Ming-liang. Focusing on the highly stylized and nonlinear configurations of time in each director’s films, she argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative.
作者簡介
Jean Ma
Jean Ma is assistant professor in the Department of Art and Art History at Stanford University, where she teaches in the Film and Media Studies Program. She is the coeditor, with Karen Beckman, of Still Moving: Between Cinema and Photography (2008).
商品訊息簡述:
藝術總論/收藏鑑賞/繪畫/書法/雕塑/設計/室內/建築/攝影/電影/音樂/舞蹈/戲劇
我不是很懂藝術，但我喜歡美的事物，還有背後的故事。我喜歡閱讀，各類的與藝術相關的題目，都另人感到興趣。當然我沒有那麼多的時間，可以去實際參訪，但我可以從相關的書籍來做了解與欣賞，所以我常常在網路上購買書籍來看，快速又方便，最近我在找一本 Melancholy Drift：Marking Time in Chinese Cinema ，我滿有興趣的，剛好博客來有賣，所以我就直接將 Melancholy Drift：Marking Time in Chinese Cinema 買回來，希望快點拿到。如果對 Melancholy Drift：Marking Time in Chinese Cinema 也有興趣的朋友，歡迎到下面 Melancholy Drift：Marking Time in Chinese Cinema
的網頁連結參考看看喔。
Melancholy Drift：Marking Time in Chinese Cinema
商品網址:
商品訊息功能:
商品訊息描述:
Ma offers an innovative study of three provocative Chinese directors: Wong Kar-wai, Hou Hsiao-hsien, and Tsai Ming-liang. Focusing on the highly stylized and nonlinear configurations of time in each director’s films, she argues that these directors have brought new global respect for Chinese cinema in amplifying motifs of loss, nostalgia, haunting, absence and ephemeral poetics. Hou, Tsai, and Wong all insist on the significance of being out of time, not merely out of place, as a condition of global modernity. Ma argues that their films collectively foreground the central place of contemporary Chinese films in a transnational culture of memory, characterized by a distinctive melancholy that highlights the difficulty of binding together past and present into a meaningful narrative.
作者簡介
Jean Ma
Jean Ma is assistant professor in the Department of Art and Art History at Stanford University, where she teaches in the Film and Media Studies Program. She is the coeditor, with Karen Beckman, of Still Moving: Between Cinema and Photography (2008).
商品訊息簡述:
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